Although Kunqu and Cantonese opera share many similarities in terms of performance requirements, stage settings, aesthetic standards and storylines, the different historical contexts have seen them develop in different ways.
In this talk, Chinese opera scholar Chan Chun-miu uses audio and video demonstrations to illustrate and compare the literary styles of a selection of Kunqu and Cantonese opera works with similar themes.
3 August 2019 (Saturday)
Seminar Hall & Studio 5, 2/F, Xiqu Centre
(The talk takes place in the Seminar Hall with live transmission to Studio 5.)
Dr Chan Chun-miu
Free admission. Limited capacity on a first come, first served basis. Please register online in advance.
Please contact Ms. Chan at (852) 2200 0812 or email@example.com during office hours.
Cantonese audio description and Hong Kong sign language interpretation are available upon request with at least 14 days’ advance notice. Wheelchair accessible seats and companion seats are available on a first come, first served basis. Please request with at least 4 days’ advance notice.
Adverse Weather Arrangements:
The talk will be cancelled if a black rainstorm warning or a typhoon signal no. 8 or above is in force at/after 10:30am on the day of the event.
Chinese opera scholar Chan Chun-miu obtained a PhD degree from The Chinese University of Hong Kong, and master’s degrees from Hong Kong University and Soochow University (China). He has taught at City University of Hong Kong, The Chinese University of Hong Kong and Hong Kong Baptist University. His research and teaching areas cover Chinese opera and Chinese classical literature. He has published a number of academic journals and was the recipient of the Wang Guowei traditional opera essay prize. In addition to his academic work, he has studied Kunqu singing under professionals such as Koo Siu-sun, Cheung Lai-chun and Zhou Qin.
As vice president of the Concordia Kunqu Society of Hong Kong, Chan has given talks and lectures on Kunqu at universities in Hong Kong, Guangzhou and Shenzhen, and at various music societies and cultural institutions. He has also participated in performances as a singer (performing Kunqu, Qin songs and Songqi) in Hong Kong, China and the USA, and has released two recordings of his work.